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contact ------- occasionals / --------------- occasionals was a peripatetic project between 2007-2013 for artists, writers and curators to make their work public, usually over a single day or an evening. these took the form of exhibitions, screenings, readings, performances, discussions, and publications, presented in a non-commercial space. organised by philomene pirecki. previous / --------------- saturday 31st august 2013 - screensaver/desktop images wysing arts centre festival - space time: convention t aaron angell hannah black juliette bonneviot alistair frost kati karki lawrence leaman katja novitskova yuri pattison philomene pirecki camilla wills occasionals and supplement have collaborated to invite a group of artists to contribute a screensaver/desktop image that will occupy the digital in-between spaces of the festival - between or in the background to where the main action will happen. these will be used as the screensaver/desktop images on wysing computers, including at the reception desk and those being used for the events. they will also be available to download for the duration of the festival from the wysing, supplement and occasionals websites. the screensaver/desktop images on the wysing computers will be set to select at random, with any transition effects determined by the computer's user, so the images will appear in random order for random amounts of time. the resulting unpredictable forms of display could include the reception desk computer, or projected during the change-over of acts on stage, maybe in the bar area, they could appear if something goes wrong technically, or might even be seen around the site on festival-goers phones. the images were available to download on 31st august 2013, the day of the festival. occasionals supplement wysing art centre more information about wysing art centre's festival - space time: convention t wysing arts centre fox road bourn cambridge cb23 2tx 5th february - 8th march 2013 - provisional information opening on tuesday 5th february 5:30 - 8:00pm camberwell space, london anna barham tom benson bettina buck will holder & robert ashley ian law sara mackillop francesco pedraglio david raymond conroy dexter sinister cally spooner a publication was produced for the exhibition, with texts by gareth bell-jones , gil leung , and laura mclean-ferris . download the provisional information booklet (4.6mb pdf) camberwell space camberwell college of arts 45 - 65 peckham road london se5 8uf provisional information is an exhibition that considers ideas around material change, incompleteness, reworking, contradiction, and restlessness, and what such notions might mean for an artist, their work, and a viewer. during the time of the show and over a longer duration the works will alter in different ways - materially, conceptually, and interpretively. the exhibition will include both new and existing video, painting, sculpture, writing, performance, work on paper, and a musical score. there will be performances on the following dates: tuesday 5th february during the opening francesco pedraglio friday 22nd february at 6:30 anna barham - volume ii tuesday 5th march from 6:00 robert ashley - trios (white on white) i and ii david raymond conroy possibly a rehearsal by cally spooner www.provisionalinformation.com www.camberwell.arts.ac.uk/camberwellspace thursday 3rd november 2011 - provisional information 6:30 - 8:30 pm anna barham tom benson john cage sara mackillop dexter sinister -------------------------------------------- location: mk gallery project space 900 midsummer blvd milton keynes mk9 3qa t +44 (0)1908 676 900 www.mkgallery.org not at the occasionals space in london -------------------------------------------- occasionals will present a one evening exhibition of work that is in various ways subject to change and in flux. faded paper by sara mackillop, is one of a series of works made from backing-paper reclaimed from a disused notice board. posters, notes and tape that previously covered the paper have been removed leaving visible traces and bleached impressions, which continue to change and gradually fade over time according to their exposure to light. anna barham's digital projection proteus shows a succession of letters on five lines rapidly changing and coalescing into words. they alter as quickly as they form, so that recognising them almost occurs after the words have vanished or the letters have reformed into other words. tom benson's painting has construction and deconstruction inherent within it. its painted and printed moveable parts are attached with small nails through a metal support. each time the artist installs the work the same constituent parts can be reconfigured into another grouping. there will also be a performance of john cage's aleatoric composition radio music (1956; 6 minutes). between one to eight performers each follow a score that involves retuning a radio to a series of frequencies, resulting in a combination of sound static and occasional fragments of radio channels. each time the score is performed, the piece produces a completely different result. black whisky by dexter sinister, is a printed contract between the artists and the purchaser of the work, a work which in its present state is a promise of an exchange to be fulfilled at a date in the future. anna barham www.annabarham.net tom benson www.tombenson.net john cage 's radio music http://johncage.org www.johncage.info/workscage/radiomusic.html http://ubumexico.centro.org.mx/sound/fluxus_anthology/fluxus-anthology_10_john-cage.mp3 sara mackillop www.saramackillop.co.uk www.spikeisland.org.uk/exhibitions/mackillop dexter sinister www.dextersinister.org www.2ndcannons.com/f_gallery-dextersinister.html mk gallery www.mkgallery.org/events/2011_11_03/exhibition_performance/ www.mkgallery.org -------------------------------------------- 6:30 - 8:30 pm mk gallery project space 900 midsummer blvd milton keynes mk9 3qa t +44 (0)1908 676 900 not at the occasionals space in london -------------------------------------------- thursday 21st july 2011 - dust bowl 5:30 - 8:30 p.m an exhibition for one evening, with jesse ash jack friswell nevine mahmoud will whittle using the natural phenomenon of the dust storm as a figure to think through processes of concealment, the project incorporates strategies of interference, contradiction, repetition and recital to acknowledge how the material and formal properties of 'something concealed' can say more about the truth of the 'thing' than its 'naked' self. jesse, jack, nevine and will images of the exhibition > ----- friday 27th may 2011 - born in flames - (x2) born in flames 1983, 1hr 30mins film screening and (remote) interview with the director lizzie borden ------------------------------------------------------------------ you can read a transcript of the interview here > (96kb pdf) images from the event > ------------------------------------------------------------------ + plus + launch of the book born in flames edited and designed by kaisa lassinaro the film " born in flames poses the question of whether oppression against women will be eliminated under any kind of social system. [...] it is a fantasy presenting a group of women who, confronted with the very 'ordinary' oppression women have been experiencing for decades, refuse to take it any longer and become armed fighters against the government. their position is that oppression against women is not eliminated automatically with 'socialism' - not only do political values have to change, cultural values must change and become embedded in practice." - lizzie borden in heresies #16, 1983 the book edited and designed by kaisa lassinaro and published by occasional papers *, is an illustrated transcript of lizzie borden's film. it borrows from multiple genres: film script, comic book, 'photo-roman'. the book also includes an interview with lizzie borden, conducted by kaisa lassinaro in early 2011, and the lyrics of

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